“Around the middle of Act I, Jill Gardner’s Minnie, the pistol-packing saloon owner, makes her entrance, completely shutting down an all too classic bar fight. The choreography by Erik Gaden makes every punch visceral. Gardner wins the audience’s heart early, and keeps it the whole show. Her singing touches every emotion, and she hits notes on both sides of the scale. Her acting, however, is what really makes the show. Gardner truly becomes Minnie. The audience feels her loneliness, her vulnerability, and most of all, her heart. We get to know her as a mother figure to the miners, as their (literal) teacher, and their protector.”

Read Matthew Sporn’s review in it’s entirety here…