Jill Gardner | Team Gardner
Official website for American opera singer soprano Jill Gardner, including biography, engagements calendar, acclaim, repertoire, recordings, photo galleries, press kit, and contact information.
Jill Gardner, soprano, American, opera, tosca, puccini, lyric, singer, actor, singing actor, Jill Garner, Jill Gardener
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Team Gardner

Obituary for Harry Jay (Jake) Gardner

Posted by Julie in News, Team Gardner

Harry Jay (Jake) Gardner November 15, 1947 – November 2, 2021 Harry Jay Gardner, known by all as “Jake,” age 73, died unexpectedly at home on November 2, 2021 at 6:15pm from a heart attack after a 6-month private battle with brain cancer. Jake was born in Oneonta, NY on November 15, 1947. After growing up in Earlville and Johnson City, NY, Jake discovered his passion and talent for singing in Binghamton, NY with The Tri-Cities Opera (TCO), studying with long-time mentors, Peyton Hibbitt and Carmen Savoca. Boasting a 50-year career of performances with major opera companies and orchestras worldwide, bass-baritone Jake Gardner often referred to himself as a journeyman and…

HIGH NOTES with Jill & Jake Gardner, with Andrew Bisantz

Posted by Julie in News, Tabor Opera House, Team Gardner

Tabor Opera House is pleased to announce the upcoming performance of HIGH NOTES: AN EVENING WITH OPERA STARS JILL & JAKE GARDNER, WITH ANDREW BISANTZ. Friday, July 5, 2019 7:30 PM 9:30 PM The Tabor Opera House Second of the four High Notes shows, our new Curated Series! Find details and a link to purchase tickets to this stellar event at the Tabor Opera House website…

Singers with Binghamton roots return for Wagner’s Ring Cycle

Posted by Julie in Binghamton Philharmonic, News, Team Gardner

When Jill and Jake Gardner step onto the stage of the Broome County Forum Theatre to sing the epic work of Richard Wagner, it will mark a homecoming. The husband-and-wife duo will each be featured as soloists alongside the Binghamton Philharmonic Orchestra’s performance of Wagner’s Ring Cycle in One Night. The couple lived in Binghamton for a decade but is now based in Kernersville, North Carolina, where they work as freelance artists and travel across the country to perform. “Jake and I are very happy to be returning to Binghamton,” Jill said in a recent phone interview. “We consider Binghamton our second home.”  Read the full article at Press Connects…

Review: Lyric Vocals Wow in HOT’s ‘Daughter’

Posted by Julie in Hawaii Opera Theatre, News, Team Gardner

“Donizetti’s “Daughter of the Regiment” is a lighthearted entertainment featuring spectacular vocal displays held together by a slender plot. …The most striking was a nonsinging role — quite unusual for opera — by Jill Gardner as the Duchess of Crackentorp, with her flamboyantly feathered headdress and operatic shrieks. At one point, the Duchess launches into singing one of Jill Gardner’s acclaimed roles (“Tosca”) and Hortensius has to correct her, “Wrong opera!” Read the complete review by Ruth Bingham on the Star-Advertiser website…

Review: Faith, Hope, and Jealousy in the Wild West

Posted by Julie in News, Review, Team Gardner, Virginia Opera

Virginia Opera’s production of La Fanciulla del West Review by Tim Smith “THE EMOTIONS FUELING THE PLOT of La Fanciulla del West—unfulfilled sensual needs, homesickness, sense of duty and community, those old favorites of faith, hope and jealousy—were all given serious, sincere attention in a Virginia Opera production that reaffirmed, as admirers of Puccini’s brilliant work have long maintained, it deserves much more prominence in the canon. Aided at every moment by Adam Greene’s refined lighting, there was no shortage of good old-fashioned atmosphere from the scenery (John Conklin) and costumes (Constance Hoffman), originally designed for the Glimmerglass Festival. The director of that earlier production, Lillian Groag, brought her incisive touch to this staging as…

Review: Virginia Opera’s “The Girl of the Golden West”

Posted by Julie in News, Review, Team Gardner, Virginia Opera

“Around the middle of Act I, Jill Gardner’s Minnie, the pistol-packing saloon owner, makes her entrance, completely shutting down an all too classic bar fight. The choreography by Erik Gaden makes every punch visceral. Gardner wins the audience’s heart early, and keeps it the whole show. Her singing touches every emotion, and she hits notes on both sides of the scale. Her acting, however, is what really makes the show. Gardner truly becomes Minnie. The audience feels her loneliness, her vulnerability, and most of all, her heart. We get to know her as a mother figure to the miners, as their (literal) teacher, and their protector.” Read Matthew Sporn’s review in…

Review: “La Fanciulla Del West”—A Triumphant Interpretation

Posted by Julie in News, Review, Team Gardner, Virginia Opera

“Minnie was sung by Jill Gardner, in a Virginia Opera mainstage debut. Her voice is powerful and well-produced, even if still lacking that Tebaldian focus. Gardner’s is a real verismo voice, making it sound easy, and acting every moment. It is understandable that her bio contains raves for her Tosca. She has been through nearly all the Puccini heroines, though not yet Turandot, but I can’t imagine what will stop her. Her Liù is already on the books, and if there’s a soprano today who could work both sides of the Gong, she’s it.” Read David Wagner’s review in it’s entirety on Opera Wire’s website…

Review: Puccini’s “Girl of the Golden West” Shines with Winning Hand

Posted by Julie in News, Team Gardner, Virginia Opera

“…Midway through the first act, Minnie, played by Jill Gardner, is the pistol-packing saloon owner who makes a dramatic entrance, taking command of an all-out barroom brawl, skillfully choreographed by Erik Gaden. Gardner takes command of the production as well, and never lets go. Her singing has great emotional range, impressive clarity and flawless dynamic control. Her acting, however, is what stands out the most. In a nuanced performance, Gardner evokes both hesitancy and assuredness, vulnerability and strength, as well as worldly innocence, maternal protectiveness and fierce resolve. In addition to the music of Puccini, she is one of the aces in this production…” Read Andy Garrigue’s review in it’s entirety…